The 59th Karlovy Vary International Film Festival, a non-specialized festival with two competitive categories, took place from July 4th to July 12th 2025. It was organized by Film Servis Festival Karlovy Vary, a.s., with Kryštof Mucha as the executive director, Karel Och as its artistic director and Petr Lintimer as the head of production.
The 60th Karlovy Vary IFF will be held from July 3rd to July 11th 2026. On July 12th 2025, the festival’s juries presented awards for the best films at the closing ceremony of the 59th Karlovy Vary IFF.
GRAND PRIX – CRYSTAL GLOBE (25 000 USD)
The financial award is shared equally by the director and producers of the award-winning film.
Better Go Mad in the Wild / Raději zešílet v divočině
Directed by: Miro Remo
Czech Republic, Slovak Republic, 2025
For the first time in eight years, a domestic film has claimed the top prize at the Karlovy Vary International Film Festival. The Crystal Globe at the 59th edition of KVIFF was awarded to the Czech-Slovak documentary Better Go Mad in the Wild, the latest work by the acclaimed Slovak documentary filmmaker Miro Remo. The film follows the lives of two peculiar men in their sixties in the forests of the Šumava mountains.
“This festival has been proving to me for years that it makes all the sense in the world. Thank you to Aleš Palán, who wrote a brilliant book that allowed us to enter that crazy world. It’s probably the greatest honour I’ve received as a filmmaker, and I appreciate it very much,” said Miro Remo, accepting the award from Stellan Skarsgård.
SPECIAL JURY PRIZE (15 000 USD)
The financial award is shared equally by the director and producer of the award-winning film.
Bidad
Directed by: Soheil Beiraghi
Iran, 2025
BEST DIRECTOR AWARD – EX-AEQUO
Vytautas Katkus for the film The Visitor / Svečias
Lithuania, Norway, Sweden, 2025
Nathan Ambrosioni for the film Out of Love / Les Enfants vont bien
France, 2025
BEST ACTRESS AWARD
Pia Tjelta
for the role in the film
Don’t Call Me Mama / Se meg
Directed by: Nina Knag
Norway, 2025
BEST ACTOR AWARD
Àlex Brendemühl
for the role in the film
When a River Becomes the Sea / Quan un riu esdevé el mar
Directed by: Pere Vilà Barceló
Spain, 2025
SPECIAL JURY MENTION
Kateřina Falbrová
for the role in the film
Broken Voices / Sbormistr
Directed by: Ondřej Provazník
Czech Republic, Slovak Republic, 2025
PRÁVO AUDIENCE AWARD
We’ve Got to Frame It!
(a conversation with Jiří Bartoška in July 2021) / Musíme to zarámovat! (rozhovor s Jiřím Bartoškou v červenci 2021)
Directed by: Milan Kuchynka, Jakub Jurásek
Czech Republic, 2025
PROXIMA GRAND PRIX (15 000 USD)
The financial award is shared equally by the director and producers of the award-winning film.
Sand City / Balur Nogorite
Directed by: Mahde Hasan
Bangladesh, 2025
PROXIMA JURY PRIZE (10 000 USD)
The financial award is shared equally by the director and producer of the award-winning film.
Forensics / Forenses
Directed by: Federico Atehortúa Arteaga
Colombia, 2025
SPECIAL MENTION
Before / After / Avant / Après
Directed by: Manoël Dupont
Belgium, 2025
CRYSTAL GLOBE FOR OUTSTANDING ARTISTIC CONTRIBUTION TO WORLD CINEMA
Stellan Skarsgård, Sweden
FESTIVAL PRESIDENT’S AWARD FOR CONTRIBUTION TO CZECH CINEMATOGRAPHY
Jiří Brožek, Czech Republic
FESTIVAL PRESIDENT’S AWARD
Vicky Krieps, Luxembourg / Germany
Dakota Johnson, United States of America
Peter Sarsgaard, United States of America
THE ECUMENICAL JURY AWARD
GRAND PRIZE OF THE ECUMENICAL JURY
Rebuilding
Directed by: Max Walker-Silverman
USA, 2025
COMMENDATION OF THE ECUMENICAL JURY
Cinema Jazireh
Directed by: Gözde Kural
Turkey, Iran, Bulgaria, Romania, 2025
EUROPA CINEMAS LABEL AWARD
Sbormistr / Broken Voices
Directed by: Ondřej Provazník
Czech Republic, Slovak Republic, 2025
FIPRESCI AWARD
The FIPRESCI award for the best film in the Crystal Globe Competition
Out of Love / Les Enfants vont bien
Directed by: Nathan Ambrosioni
France, 2025
The FIPRESCI award for the best film in the Proxima Competition
Before / After / Avant / Après
Directed by: Manoël Dupont
Belgium, 2025
KVIFF Central Stage, Works in Development – Feature Launch & Focus Queer, Works in Development – KVIFF Talents
KVIFF Eastern Promises, the festival’s Industry section and film market, has the rewarding mission of bridging the gap between talented filmmakers and their potential co-production partners, festivals and audiences.
In addition to the established Works in Development – Feature Launch & Focus Queer, and a third edition of KVIFF Talents, this year’s Eastern Promises introduced a new Pop Up Series Incubator small-screen pitching session. A key programme innovation, the KVIFF Central Stage is a brand-new showcase focused on established directors and Central European co-productions, organised and curated in cooperation with selected national film institutes from the region.
“Every country in Central Europe has something unique to showcase, but even experienced filmmakers often struggle to close financing. The support structures here are still relatively fragile. Our hope is that by curating projects in close collaboration with national film institutes, we can offer producers and investors a selection they can trust, and ultimately help unlock co-financing with greater confidence. At the same time, we want to spark more awareness and collaboration between producers in the region. There’s a lot of potential for working together, and this format helps make those connections visible,” Hugo Rosák, the Head of the KVIFF Film Industry Office, commented.
A total of 40 film and series projects were showcased this year, and the winners are:
Eurimages Co-production Development Award
The jury has decided to award the 20,000 EUR cash prize for further development, sponsored by the Eurimages fund, to Battalion Records (Romania), directed and written by Ștefan Bîtu-Tudoran and produced by Diana Caravia.
Jury statement: “We are pleased to award the Co-production Development Award to a bold debut that confronts the decay of culture. Because sometimes, to make people listen, you must turn things upside down – and this absurdist heist comedy does so with rebellious energy.”
Eurimages Special Co-production Development Award
An additional prize was donated by Eurimages to support a particularly promising Ukrainian project. The jury has decided to award a special 20,000 EUR cash prize for further development to In Vacuo (Ukraine), directed and written by Yelizaveta Smith and produced by Eugene Rachkovsky.
Jury statement: “We are proud to award this Ukrainian feature debut set in Odessa. The film explores the universal impact of loss and how absence shapes both identities and communities, highlighting the importance of remembering before it’s too late.”
MIDPOINT & KVIFF Development Award
This year, KVIFF showcased nine projects that have gone through development and mentoring within the MIDPOINT – Feature Launch programme and five projects from the MIDPOINT – Focus Queer programme, designed to foster diversity in storytelling and provide crucial support to filmmakers in the realm of queer narratives.
The jury has decided to award the 10,000 EUR cash prize for further development, jointly sponsored by MIDPOINT, Barrandov Studio and KVIFF, to History of Illness (Croatia), directed and written by David Gašo and produced by Marta Eva Mećava.
Jury statement: “A film narrative is typically driven by characters, yet it can also take the form of a spatial and temporal fluid—shaped by its own color, form, and tone. We have chosen to highlight a charming film project in which human unease plunges into an absurd labyrinth where anxiety peers out from the corners of humor.”
Connecting Cottbus Award
Connecting Cottbus representatives Marjorie Bendeck and Katharina Stumm have decided to give the award to the film RadioAmateur (Poland), directed and written by Tomasz Habowski and produced by Marta Szarzyńska . The project will be granted the opportunity to pitch at Connecting Cottbus, the East-West co-production market, during the Film Festival Cottbus.
Statement: “We were really taken with this haunting and unsentimental story of a dinosaur and his broken tools of communication, and we were happy to find out there may still be someone at the other end of the line for him.”
Rotterdam Lab Award
Rotterdam Lab representative Facundo Lema has chosen Ondřej Lukeš, producer of the film Restless (Czech Republic) as the winner. The winner will participate in the Rotterdam Lab professional training programme for producers, which takes place during the International Film Festival Rotterdam.
Statement: “Considering the right and accurate timing, their career and the potential of their projects in development, as well as the potential for internationalisation of their work, but also the conception of production, ambitions and growth, we invite Ondřej Lukeš to attend Rotterdam Lab 2026.”
Cannes Marché du Film Producers Network representative Yago Mateo has chosen Michelle Brøndum Hauerbach, producer of Soyboy (United Kingdom) and Genovéva Petrovits, producer of Democracy: Work In Progress (Hungary, Czech Republic, Germany) as the winners. The winners will participate in the Marché du Film and Producers Network during the next Cannes Film Festival.
STATISTICS OF THE 59TH KARLOVY VARY IFF
The 59th Karlovy Vary IFF 2025 was attended by 9 949 accredited visitors. Of that number 7 926 had Festival Passes, 411 were filmmakers, 1 055 accredited film professionals, and 557 journalists.
There were a total of 465 film screenings and total of 128 133 tickets were sold. A total of 175 films were screened, including 108 feature fiction films, 23 feature documentaries and 44 short films. 36 films received their world premiere, while 5 had their international premiere and 5 their European premiere. 156 screenings were personally presented by delegations of filmmakers. 89 Press & Industry screenings were held.
A total of 1055 film producers, film buyers, film sellers, distributors, film festival programmers, representatives of film institutions, and other film professionals were accredited. 494 accredited film professionals came to the festival from abroad. A total of 40 films and projects in development or production across 5 platforms were showcased to a total of 103 buyers and distributors and 115 film festival programmers.
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